For many years, Chinese nationals/patriots have been attacking Western infrastructure with zealous tenacity; in many cases being directly supported by the Chinese Communist Party and PLA.
I am sure that any person of Chinese descent is feeling a little defensive upon reading this, but my angst is not against the Chinese people in any way. I am merely corroborating this claim with data from my viewpoint.. that a country doing so much business with the US would so callously allow and support these attacks is an affront to any meaningful cooperation between our governments. To get an idea of the scale of Chinese cyber attacks, one only needs to pull some metrics.
This data (shown above) comes from Akamai, the world’s largest cloud provider; with more than 80,000 collection points across the planet. The number of attacks originating in China is more than the rest of the planet combined over a 24 hour period at 365 attacks. Compare this with the Russian Federation at 21 attacks over the same period. Every day looks like this in case you are wondering..
You might say, “How can the Chinese government stop these attacks from inside the country?” The reality is that these attacks aren’t even trying to be stopped, but are being encouraged and in some cases actually funded by the PLA. If the Chinese government can stop the average citizen from getting information not allowable by the Communist censors, how can it be blind/unable to stop attacks against US institutions? Answer.. it doesn’t want to stop the attacks because it serves Chinese national interests.
If you like the song Lights by Ellie Goulding and you like sandbox games, Legos and blocks- you might want to check out this video that I rendered within the Minecraft engine in real-time as it is high-quality. A few friends from YouTube and my son appear in the video as well. It is a promotion of our hobby which is the combination of a series of modifications for our favorite video game called Minecraft; packaged for a variety of computer platforms such as Windows, MacOS and Linux- allowing everyone to play together on the same server over the internet or on your home network. Those who have played Revenge say it is probably the best mod pack out for this indie game that has sold millions of copies. Revenge doesn’t mean anything negative, but is simply a catchy name and meant as a sequel to my more popular mod pack called Mo’ SMP. I don’t monetize the downloads or videos for any of this because I prefer to keep it my hobby.
This version of the song is the Bassnectar remix and was suggested by a friend of mine to use in the video. If you want to download the mod pack client or server after watching the video and all the crazy aesthetic and engineering feats; from computer science to robotics, earth science, beekeeping, growing of crops, breeding of animals, questing, mining and exploration– visit this link for the downloads> http://glixyl.wordpress.com/downloads-page/
UPDATE 10/9/2012- Now that I have released Glixyl’s Revenge I am going to stop releasing content for Minecraft on my gaming blog for a while and focus on this blog once again. Like I said in the previous article, I do have quite a bit of topics to discuss related to myth and religion, deep history and all things Unorthodox.
Tags: art, Bassnectar remix, Ellie Goulding, exploration, gaming, glixyl, HD, high definition, kids entertainment, Legos, Lights, millenaire, minecraft, mod pack, opengl, questing, real-time, render, Revenge, shaders, Technic, Tekkit, textures, ultra
I have a few articles that are ready to publish here, but I don’t like to hit publish until I feel the article is worth talking about. I have been working on another blog related to another creative journey.
In addition to loving history, mythology, religion, literature, art and just about anything to do with science.. I also like to put together videos of me playing and reviewing games. Doing that made me want to release custom content in the form of modification packs for the popular game called Minecraft.
When I was a child, I played with Lego blocks all the time. I had a lot of Legos, most of which I keep until this day.
As an adult, I thought it would be a cool idea to get Lego Mindstorms for my son and I to play with. After spending a few hundred dollars, I discovered I had very few parts to work with.. especially if I wanted to make something impressive.
That was about three years ago when it happened.. I was watching YouTube videos and stumbled across this video game called Minecraft with horrible graphics. It looked like blocks, but with real-world physics. It had water, growing of plants and domestication of animals. It had mining and multiplayer play with skeletons, zombies and other baddies coming out at night. You had to hide at night to survive or be well armed. Once I figured out how to run and modify a Minecraft server, it was like I was a Dungeon Master again; back in elementary school playing pen and paper, grid-paper maps and dice, running my own module– trying to kill off my best friends!
I call myself Glixyl online because to be creative one needs to separate themselves from their hobby. I like to take Minecraft and push the limits of its graphics so that people are more interested in it.. although the graphics are such a small part of the game compared to its amazing amount of content, sandbox like versatility and endless ability to be customized and extended. This latest combination/configuration of other talented people’s freely downloadable Minecraft mods is called Entropy. In scientific terms, Entropy is the measure of disorder in a system. I collaborated with some dudes named CaptainRob, Spitfire25565, Jaeplane and others to come up with the idea for this pack and the modifications. It is single player and designed to be played so that when you die, your game is completely over and you need to start over again. Just how I like it!
My gaming blog if you want to follow>http://glixyl.wordpress.com/
My YouTube channel if you want to subscribe or check it out>http://www.youtube.com/user/glixylpoussin?feature=mhee
It drives me crazy when I watch television shows that ask questions such as, “How could ancient man have created massive stone monuments, such as the Great Pyramid or Puma Punku, without the benefit of modern tools and machinery?” ; then follow the question up with speculation about how Aliens must have made the monuments from a researcher like the floofy-haired guy pictured below.
I like to believe that mankind has been a species of thinkers, innovators and technologists for much longer than our modern telling of history gives us credit for, but in this case let’s take a look at the technology known to have been in use and accepted by most historians. Take for an example Ancient Aliens The Mystery of Puma Punku season 4, episode 6.
The H blocks, Gateway of the Sun, and other square-cut objects (pictured below) at Puma Punku are said to be too difficult to cut with stone age tools by ancient alien/astronaut proponents. Often times on these television shows, books and blogs, it is speculated that these materials can barely be cut or moved now; so that alone should be proof enough of evidence for extraterrestrial influence.
In fairness to the ancient alien proponents, the stones at Puma Punku are very heavy, difficult to cut and sourced from more than 15km away in some cases. The blocks found at Puma Punku are made of red sandstone or andesite, with the latter being used for more intricate work such as the inset cuts. These ancient builders also were metal workers, which is evidenced by the use of I-shaped metal clasps.
The limestone obelisks and granite blocks of ancient Egypt are known to have been worked using diorite and/or dolerite stone cutting tools (pictured) in combination with the application of fire for increased cutting speed and efficiency. I recently watched Dr. Zahi Hawass perform experiments proving that using fire pits to soften the rock allowed it to then be quickly pulverized by workers using stone balls of greater hardness.
Cutting limestone is one thing, but ancient alien proponents often point out that granite and diorite are much harder, if not impossible, to cut with ancient tools to high levels of precision. After a little searching around, I found many examples of intricate stonework being produced thousands of years before the Puma Punku site was erected such as the Code of Hammurabi. Carved in 1772 B.C from a large piece of diorite (more than equivalent to the hardness and durability of the andesite blocks at Puma Punku), it was created more than 2,000 years before Puma Punku.
Diamond tools are known to have been used for thousands of years (2500 B.C. in China), and maybe even much longer as nothing would have barred the mineral from being collected (as it is found naturally in the Earth’s crust). The reason that no diamond tools remain on these sites to be found today should be obvious to any modern or ancient observer; their value would not allow them to be discarded.
The drill holes and complex interlocking blocks would be a complicated engineering feat, but stone drills have been proven to be able to cut those holes at a similar level of precision in granite and sandstone. Since copper was known to have been in use as well, the claims of drilling being proof of ancient aliens requires more than a stretch of the imagination. Also at Pumu Punku can be found hydraulic hoses and aqueducts used for sewage management and irrigation of agriculture. The Greeks, then later the Romans were known to have similar aqueduct and pumping/piping technology which also predates the Puma Punku site.
In closing, I suggest that anyone who doubts that ancient man could have moved large stone blocks around should watch this YouTube video. Without the aid of pulleys, hoists, metal levers and/or other advanced tools, a man named Wally Wallington is able to not only move and position large stone blocks weighing many tons each; but actually erects a 19,000 pound obelisk by himself on video. How does Wally accomplish this? Sticks and stones!
While writing my previous post related to the knowledge of ancient man, I was concerned about pushing the limits of accepted timelines around the Lascaux cave paintings of France. The conservative dating of most cave painting sites around the world have always been considered to be roughly 17,000 – 24,000 years ago.
Recently, this thinking has changed as a result of a new archaeological technique that measures the growth of tiny stalactites on top of the paint pigments. Using this method, the world’s oldest cave paintings have been dated in Northern Spain within a series of 11 caves; the most prominent being at El Castillo. It appears that not only are many of the finds at least 40,000 years old, but according to researchers may have been created by Neanderthal.
Another interesting facet of this discovery is that these cave paintings were created over a period of more than 20,000 years; which is two to four times longer than Lascaux site is thought to have been maintained.
Many people have accused me of trying to portray ancient man as a ‘Noble Savage’. The argument most of these critics give is that ancient myth, religion and knowledge are useless to study because ancient man didn’t understand the world in the way we did today. People can’t get past the fact that ancient cultures used stories filled with anthropomorphic figures (part-man, part-animal beings) and other symbolic metaphors. It doesn’t occur to people that it would be difficult to pass down knowledge to an ancient audience in a way they could not only understand it; but themselves repeat it. In my opinion, shamanism and myth/story telling was the instrument for both passing down this knowledge and the framework for preserving succession so that this knowledge could continue to be propagated.
Don’t buy that argument? I will leave you with this quotation by the late Giorgio de Santillana, History of Science professor at the Massachusetts Institute of Technology, of whom I will be talking more about in future posts concerning myth:
“[the modern reader] insists on his capacity to understand mythical ‘images’ instantly, because he can respect as ‘scientific’ only page-long approximation formulas, and the like. He does not think of the possibility that equally relevant knowledge might once have been expressed in everyday language. He never suspects such a possibility, although the visible accomplishments of ancient cultures – to mention only the pyramids or metallurgy – should be a cogent reason for concluding that serious and intelligent men were at work behind the stage, men who were bound to have been used to a technical language…”
In a couple of my posts below, I talk about the Mesoamerican Long Count Calendar and its relationship to those civilizations studying the sky over long periods of time.
This calendar is amazing for an ancient people because it accurately predicts the 26,000 year cycle of axial precession of our planet. The movements of the planet Venus and our Moon are also tracked over time.
The long count calendar, which originates with the Olmec civilization, was thought to have ended in December 2012. However U.S. scientists working at a site in Guatemala have recently uncovered a calendar that shows the Sun cycles continuing for billions more years. At this site named Xultun, located in Mayan ruins within a rainforest, an astronomy lab was also discovered which shows calculations drawn on the wall by ancient math/astronomy geeks.
I have been following more research and articles to the mystery of the Sun’s poles going asymetric (which is happening this month, see post below) and apparently more researchers are correlating this with cooling events in the Earth’s past.
If you have been following the news at all, you are aware of the massive Sun spots we are now seeing that are ejecting solar flares at Earth.
The updated (May 2012) solar prediction chart from NASA is pictured to the left and we are almost at the peak of solar cycle 24.
The Greek philosopher Plato wrote of the legendary city of Atlantis in his dialogues of Critias and Timaeus. Scholars debate whether or not Plato fabricated this story of Atlantis to be told as a parable or if the story was based on an actual myth from antiquity.
In any regard, there have been hundreds of books, magazine articles, blogs, television shows, documentaries, alien conspiracies and other works produced that have tried to correlate the Atlantis legend to a location on a map.
I am of the opinion that Atlantis, and other stories such as the Lost Continent of Mu, are merely faint memories of man’s distant past and are actually related to the 120 meters rise in sea level since the last glacial maximum.
Nothing mystical, nothing magical, just sea rise and the tendency for humans to settle and construct defensive formation on shorelines; getting covered up by water over time as the polar caps and glaciers melt and freeze during interglacial periods.
I have been following the discovery of underwater sites for quite a few years. Each time one of these sites is found, some skeptic will show up and do their best to debunk the site as a naturally occurring formation. I believe in a healthy amount of skepticism, but sometimes skeptics also resort to speculation when trying to dismiss potential discoveries.
Take for example, the underwater rock formations of Yonaguni. The Yonaguni underwater rock formations are located to the south of Japan and east of Taiwan. The top of the formation is about 5 meters below the surface and extends down another 20 meters. Skeptics of Yonaguni proclaim that it is no different than the Giant’s Causeway, or perhaps Old Rag Mountain. But if you visit the links for those formations or do some image searching, you won’t see anything similar to Yonaguni. To me, Yonaguni looks more like Machu Picchu (pictured below) than something obviously created by nature such as Giant’s Causeway. One of the skeptical arguments related to the Yonaguni site is that earthquakes caused the rock to shear into geometric shapes, which is possible of course.
In 1954, Leicester Hemmingway (Ernest Hemmingway’s brother), took an airplane from the United States to Havana, Cuba. Hemingway was looking out the window of the plane and at one point exclaimed “A city of glistening marble” was visible below the sea. He then spent the next forty years of his life looking for it, but never found it. In 2009, a team of researchers found what they believe to be a sunken city in the western Carribean; roughly 40-70 feet below the surface of the water.
I talk to people who often tell me, “We know more about space than our own oceans. We should spend more time examining the oceans.” There is a certain wisdom to those words as we seem to discover things thought previously improbable by science.
It seems that new species are discovered such as once thought to be extinct plants and sea life, giant squids and extremophiles each time we set out to explore the ocean’s depths.